Friday, 23 March 2012

THE LOVELY BONES

During the planning of our title sequence we found that we really wanted to incorporate the  idea of having a little girl as the central protagonist. As we were creating a title sequence for a thriller we knew that we had to have a villain and also include the theme of death. At the beginning of our planning period we were discussing different films that included the death of young children and ‘The Lovely Bones’ was one of the suggestions. We really liked the idea of having a thriller that focused on the death of young girls and the real identity of the killer. Within ‘The Lovely Bones’ there is a balance between the horrific violence and the idea of the young girl’s personal heaven and so this gives a less sinister feeling to it. For our title sequence we wanted to suggest this menacing behavior as well as maintaining the idea of mystery and so this would engage the audience and keep them in suspense. Our narrative is based around the death of young girls, but is mainly focused on the death of the first girl. It creates suspense and mystery as you don’t know the identity of the killer and so it also looks at the crime side of a thriller. In our title sequence we wanted the killer to be portrayed as a calculated and remorseless character as well as being an unsuspected character within the thriller.






Wednesday, 21 March 2012

THE CUTTING EDGE

We watched a documentary about editing called ‘The Cutting Edge: The Magic of Movie Editing’. This allowed us to get different ideas for our title sequence. The section of the documentary that we watched focused on a variety of scenes from the film ‘Terminator 2: Judgement Day’.
The diegetic sounds of the echoing of the footsteps and breathing is used to build tension and suspense because the audience match their breathing to that of the characters. A fast pace of edit using short fast duration of shots increases tension as the audience are trying to keep up with the fast action and change in shots. Whereas, long duration of shots keep the audience hanging and waiting for what is going to happen next which would result in the building of tension. Even though the film is not a thriller, it uses elements and techniques that would be typical of a thriller.
Lots of close up shots are used which allows the audience to see the fear on the characters face, this suggests that something bad is going to happen as it shows his reaction of events that are occurring or about to. It also means that the audience have a close proximity with the character and so this would be endearing for the audience as they may feel that they have made a connection with the character. Often characters that the audience grow an attachment to end up being killed and this takes them by surprise as they are not expecting it and so this often raises the tension as the audience don’t know who is going to be next.
Cross-cutting has been used to cut from character one to character two and then back to character one again. This suggests that character one is in danger and constantly reminds the audience that danger is closing in on the protagonist. Peaks and valleys is also used to build tension and suspense for the audience as they are left wondering what is going to happen to the protagonist. This is often done using short shot durations and a quick pace of editing as it suggest that it is a scene where lots of action is taking place. By doing this it raises the audience’s heartbeat and keeps them in suspense and builds tension, keeping them engaged.
This documentary also looks at a scene in the film ‘Silence of the Lambs’ where a mysterious male character follows a vulnerable woman in the pitch black. Point of view shots allow the audience to see from the character’s perspective and so this would help to build tension as the audience would feel as if they are in the character’s shoes and in their situation. Low key lighting has been used in order to distort the facial feature and to give a sense of anonymity. This creates a sense of mystery as you don’t see the character’s identity. The male character within the scene has night vision goggles.
A night mode effect has been used to suggest that the female protagonist can’t see and that her senses have been affected and so this builds tension as the audience want her to stay alive as they have formed a connection with the character. We see the female protagonist moving around the room using a pan. This is effective as the audience are able to see the fear through her different facial expressions. By using a pan it implies that someone is watching or following her and this create and builds tension as this appears to be sinister and obsessive behaviour. During the scene the audience are able to hear the diegetic sound of the woman breathing,
Her breathing is not at a steady beat and so this would suggest that she is scared. Because her breathing is not at a steady rate the audience are not able to match their breathing with the characters and so this creates tension as they would feel unnerved by the scene. Also by hearing her breathing we are able to put ourselves in her shoes and so this would build tension as we are feeling her anxiety.   


The use of close up shots means that the audience can connect with the character and feel as if they have a bond with them because they are in a close proximity with the protagonist. We also liked the use of the point of view shot as you are able to see through a character's eyes and step into their shoes. This title sequence has influence our production as we really liked the techniques used in this title sequence.

Tuesday, 20 March 2012

MEMENTO TITLE SEQUENCE ANALYSIS

The title sequence for ‘Memento’ begins with the titles fading into the frame which can suggest sadness, calmness or depressiveness. The text used a serif font, capital letters and is in the colour blue, this continues the idea of emotion and sadness. The title is centralised and so this makes the title sequence appear dated. It could also link to the fact that the character’s memory in the narrative disappears and that the film is all about his past that he is not able to remember. An establishing shot of a close up of a man’s hand holding a Polaroid with a very disturbing picture on it begins to fade into the background.
This creates enigma codes as it makes the audience question what has happened, who did it and also why the photo is disappearing. The non-diegetic music is a slow orchestral piece and in the minor key which suggests sadness or loneliness. It doesn’t build much tension as the beat of the music is not faster than a heartbeat however it have been used to effectively create atmosphere. The photo disappearing signifies that a parts of his life begin to fade from his memory and so this gives the audience a slight insight into the narrative.
The Polaroid and the non-diegetic music link together as it makes the audience question if the character is emotionally affected by this image and so this makes the scene unnerving and creates suspense as they are left wondering what’s happened. A low angle has been used in order to create a sense of dominance of the shooter; a cut then means that we have a high angle of the dying man which suggests that he is vulnerable and insignificant. The shooter is also wearing a suit which asserts his authority and implies that he has more dominance over the dying man.
The diegetic sound of the gun shot signifies death and so this would create enigma codes as this would make the audience wonder whether the Polaroid and the shooting were related. The scene begins to run backwards and so this would create a fragmented narrative and so the audience may question what is happening. The lighting in the scene is interesting as half of the face is lit and the other half of the face is hidden in shadows. This suggests that he has a hidden side to his identity and so he would have a split personality and makes him appear emotionless.

This title sequence has been influential as we liked how the music was not faster than a heartbeat and so for our title sequence this is contrapuntal to the scene. We also liked the orchestral music as this can create different moods within a thriller and so both of these can help to build suspense and tension.

Monday, 19 March 2012

PROPS LIST

Within our title sequence we used a different range of props. We thought carefully about the props that we used as we tried to use different objects so that we could add symbolism, which would create enigma codes and suggestions for the audience. Our props include:
   A Teddy   
   A Ribbon  
   A White Coat   
   A Box
   Items that would be owned by a young girl
   A Notepad    
   A Doll    
   Fake Blood

We have used a teddy in order to represent youth, it is also parallel with the young girl as she is also representing youth and innocence. We have used a red ribbon in order to signify obsession, lust and also suggests death. The idea of the red ribbon suggesting obsession links in with the idea of the villain being obsessive with killing young girls.

We wanted the young girl to war a white coat so that it signifies purity and because a young girl is wearing the coat it shows that the child is pure and innocent because she is a child. To relate to the idea of obsession and also the title ‘The Collector’ we wanted the killer to be looking at items that he has collected from the young girls. The items create enigma codes as the audience are made to ask the questions, whose are they? And why does he have them?

The box itself has words stuck on it and is on white paper. The black font suggests death and dark behaviour because these are connotations of the word ‘black’ and so along with the idea of obsession this contrasts the suggestion of purity with the white box. This conveys the sense that equilibrium is being disrupted as innocence and purity is being taken over by dark and menacing behaviour.

We have used a red pen and a notepad so that the killer can write the girl’s names and ages on. This creates enigma codes and mystery to the title sequence. The red pen also signifies death as he is crossing out the names one by one. We used fake blood on the ribbon to suggest death. A doll that we have used within our title sequence has been used to convey the killer’s obsession. It also represents the young girls as he is more dominant and they are small and vulnerable because he is in control of what is happening.

These props target the audience as the items in the box and also the teddy makes the audience grow an attachment to the character or creates enigma codes which add to the mystery and suspense because the child and teddy symbolise youth and innocence and so this makes the girl appear small and vulnerable.

MOOD BOARD IMAGES ANALYSIS

In the planning period for our title sequence we created a mood board so that we could record our different ideas and inspirations for our title sequence.


When looking at the different film covers we found that we liked how the silhouette in the background of the “When a Stranger Calls” image. The backlighting used in this image makes the person appear quite sinister as they have no sense of identity. The juxtaposition also creates a binary opposition as the dominant character in the foreground appears quite innocent and vulnerable. Whereas the silhouette in the background is quite subtle as if to be preying on the young girl and so this would suggest menacing and sinister behaviour. ‘The Secret in their Eyes’ is a contrast of ‘When a Stranger Calls’ as the silhouette is in the foreground and the young woman is in the foreground, this suggests that the woman is looking in on dark and menacing behaviour.

We chose to include the film ‘Orphan’ in our mood board as we really liked the style of the font as it looks as if its scratched into a surface, which implies a sense of obsession and violence and so we thought that this would relate to our title sequence as the killer has an obsession with killing young girls. We really liked the narrative in the ‘Lovely Bones’ and so we have taken different ideas from the film. The lighting used for ‘The Secret Window’ is interesting as it half of his face is lit and the other half is in the shadows, this suggests that the protagonist has two different personalities and that he has an innocent side as well as a more darker and menacing side.

The image for ‘The Omen’ is interesting as a child represents innocence, however, the dark shadows and backlighting suggest that there is more to this child than meets the eye as her has no sense of identity and so this makes him quite menacing and sinister. The juxtaposition of the child in the light white background contrast as it suggests that with all the innocence in the world there is corruption and impurity somewhere within it and that we may not always see it. This is suggested because we cannot see his identity.

We have chosen ‘The Hole’ because we really liked the viewpoint of this image. It also shows the contrast between the bright light at the end of the hole and also the dark shadows. This made us discuss the different effects and lighting we could use within our title sequence. We also discussed the use of inverting black and white images so that you get a negative effect, as shown in the image for ‘Open House’. This makes the house appear more prominent and so it looks quite sinister and menacing and also creates a sense of mystery. By doing this it also disrupts the equilibrium and so this would also add to the ominous atmosphere.

We considered having a frame within our title sequence that was inspired by ‘Primal Doubt’ where the killer’s face is seen in the knife. After discussing this we decided that this would give too much of the narrative away and so we were against using this idea in our title sequence.

The image for ‘Schindler’s List’ was really interesting as the German soldiers juxtapose the young girl and so this suggests that evil is dominant over innocence. We really liked the fact that everything is in black and white apart from the little girl’s coat. There are many signifiers and connotations within this image as the black signifies death and evil, whereas the red signifies death. The use of white in this image is important as it could have been used to signify purity. The little girl is a pure shade of white and so this would suggest that she signifies purity because she is an innocent child. The white could also be used to signify purity as the Germans wanted a pure Arian race and so by wearing the red coat this could imply that she is going to die within the narrative.

By creating a mood board we have been able to discuss different ideas which have inspired us and also influenced our title sequence.

Sunday, 18 March 2012

OUR PITCH POWERPOINT








TARGET AUDIENCE QUESTIONNAIRE EVALUATION

By doing this questionnaire we have found that keeping the audience in suspense throughout the title sequence and also throughout the film is important as this creates tension and mystery which keeps the audience engaged. Having a film and title sequence in colour is popular among the target audience. This is something to consider when planning and editing our title sequence. During our initial ideas we considered setting our title sequence in the modern day and we have decided to use this idea as it is more preferred among our target audience. In our title sequence we want to end it with a cliff hanger as it gives the audience a range of different ideas of upcoming events within the film. It also builds suspense and creates a sense of mystery which would create different enigma codes. We also knew that we wanted to have a child as the protagonist and so by doing this questionnaire we were able to make a decision on the gender based on the feedback from the questionnaire.

TARGET AUDIENCE QUESTIONNAIRE

In order to get an idea of what type of thrillers an audience may enjoy, we created a questionnaire for our target audience. This gave us range of different ideas that would allow us to base out thriller title sequence on.
BOYS
GIRLS


1.    WHAT GENDER ARE YOU?
A.   MALE - 12
B.   FEMALE - 12


2.    WHAT TYPE OF THILLER DO YOU ENJOY THE MOST?

A. ACTION – 9 - 7
B. PSYCHOLOGICAL – 3 - 5
C. GORY


3.    WHAT DO YOU ENJOY MOST ABOUT THRILLERS?

A. SUSPENSE – 2 - 8
B. VIOLENCE - 3
C. GORE - 1
D. ACTION – 4 - 1
E. STORYLINE – 2 - 3
F. PROTAGONIST


4.    WHAT ENDING DO YOU PREFER?
A. HAPPY – 8 - 4
B. SAD – 3 - 5
C. CLIFF HANGER – 1 - 3


5.    WHAT GENDER PROTAGONIST DO YOU PREFER WITHIN A THRILLER?
A. MALE – 2 - 7
B. FEMALE – 10 - 2
C. DON’T MIND - 3


6.    DO YOU PREFER A STORYLINE THAT...
A. KEEPS YOU IN SUSPENSE – 10 - 6
B. GIVES AWAY THE PLOT/STORYLINE - 2
C. OMNISCIENT - 6


7.    DO YOU PREFER A THRILLER THAT IS...

A. A CLASSIC – 1 - 1
B. MODERN DAY – 9 - 5
C. DON’T MIND – 2 - 6


8.    DO YOU PREFER A FILM IN...
A. BLACK AND WHITE
B. COLOUR – 12 - 12
C. OTHER


9.    WHERE DO YOU MOST LIKE WATCHING THRILLERS?
A. CINEMA – 3 - 3
B. HOME – 7 - 2
C. OTHER – 2 - 2


10. DO YOU LIKE A THRILLER TITLE SEQUENCE THAT...
A.   GIVES AWAY SOME OF THE STORYLINE - 2 - 1
B.   KEEPS YOU IN SUSPENSE – 6 - 7
C.   ONLY GIVES A SMALL SECTION OF THE NARRATIVE AWAY – 4 - 2


11. HOW MANY THRILLERS DO YOU WATCH IN A MONTH?

A. 0-5 – 7 - 9
B. 6-10 – 4 - 2
C. MORE THAN 10 – 1 - 1

Wednesday, 29 February 2012

TERMINATOR 2: JUDGEMENT DAY ANALYSIS

The title sequence for Terminator 2: Judgement day includes a range of different media techniques in order to signify or to create an enigma code. Close ups and extreme close ups have been used in order to suggest that the machine is the face of evil. It also makes you focus on the eyes as they are dominant and menacing as well as inhuman and futuristic. The slow movement makes the audience focus on what is in the scene and so you are able to notice the enigma codes. It also creates a mysterious effect and creates a contrast between the title sequence and the genre of the film, which is an action-thriller film. The colours used in the title sequence are red, orange and yellow.

This implies that danger and that it will occur a lot during the film and gives the suggestion to the genre of the film. The black silhouettes of the children’s playground can signify evil and so with the flames this implies that evil is going to destroy and kill. The diagetic sounds of the flames add to the title sequence as it reinforces the idea of destruction and danger. The non-diegetic music sets the tone and creates an ominous, tense and emotional atmosphere. It also has a heavy and metallic sound which suggests that they film is going to be action-packed. This gives the audience an idea of how the Terminator is built and so would suggest that the beginning of the film was when the Terminator was made.

The pace of editing is very slow and so this would also allow the audience to focus on what is happening in the scene as well as creating an eerie atmosphere. The use of special effects for the fire and smoke suggests evil and death. By showing the fire raging out of control, this implies that evil is destructive and dominant. The font used for the titles is futuristic and this creates an enigma code as it makes the audience question why crushed metal and things from the future are so important. Set and location is important within this title sequence as the audience may question why the playground is on fire. By using a playground, the location suggests that innocence is being destroyed as the fire represents the destruction and death.

Innocence is represented by the children’s playground because children are seen as innocent and so within the film it appears that evil is killing the innocent. Setting the title sequence during the night-time makes the location and scene appear more sinister and menacing. Using a dissolve transition effect, this maintains the slow pace of the sequence which creates and maintains the eerie atmosphere.


The 'Terminator 2: Judgement Day' title sequence has been influential to our title sequence as we liked the slow pace of edit for some of the scenes as it makes it appear mysterious and builds suspense. It also made us think about the different transitions that we could use within our own title sequence.

Friday, 17 February 2012

SPIDER DIAGRAM

Before creating our own thriller title sequences we looked at different conventions and ideas that have been used in other thrillers to create tension and mystery. Creating a spider diagram was the best way to record all of these ideas as we could group them into the different categories, for example lighting etc. We began by looking at the different codes and conventions first and so this meant that we could build on and discuss our own ideas that could relate to or feature within our title sequence. By doing a spider diagram we found that we really liked the idea of having the voice of a child either as diegetic sound or as a voiceover. This led to us thinking about having a little girl as the central protagonist within our thriller and so this meant that we could incorporate the idea of having a child’s voice as diegetic or as a voiceover. This made us think about the connotations of a child for example, youth, innocence and purity and so this meant that we would have been thinking more about the narrative as we were discussing different ideas that would create binary opposition and that were also found in both of the narrative structures. This led to us discussing our initial ideas and how we could incorporate our ideas in order to create tension, suspense and more importantly an effective thriller title sequence.

Friday, 10 February 2012

LEON TITLE SEQUENCE ANALYSIS

The title sequence for the film ‘Leon’ is interesting as it quickly engages and introduces the audience to the narrative. The iconography used within this title sequence sets the location of the film. The use of yellow taxis and buildings has been used to represent the city of New York. The scene then changes as the colours green, white and red are used to set the location and to link with the idea that they are in Italy. The way the text is used it quite subtly. This means that the text does not take away from the scene, the use of white for the font colour could suggest purity.

Because the title of the film is in capitals and also centralised, it suggests that the central protagonist and that they are significant within the narrative. A bird’s eye view shot creates an establishing shot and so this sets the scene and gives the audience a location. The use of close ups and extreme close ups are important within the title sequence as it creates enigma code because the characters’ identities are concealed. It also makes them appear more menacing and mysterious. Also, using close ups means that you can create eye contact with the audience; this appears very intense as it suggests that both of the men are tense and also passionate about what they are taking about. This creates tension as you can’t see either of the men’s’ facial expressions or identities.

The use of eye line match makes the audience feel as if they are being let in on a secret. The non-diegetic sound of the drums makes the scene sound more sinister and so this is parallel tot eh scene as a crime is about to occur. We then see a close up shot of a character that we assume is ‘Leon’. It allows us to see character 1, which we believe to be the central protagonist, Leon as the audience are able to see him in character 2’s glasses. By doing this it gives a sense of identity and also this means that we can see how the other character sees him and may suggest their relationship. The leading lines within this frame also help to guide the audience’s eyes towards the reflection in the glasses.

Using extreme close up shots can suggest that this is a tense moment and can add to the fact that they believe in what they are saying as they are passionate about the subject and so this can make the scene quite tense as you can see the whole of the character’s face, creating a lack in identity and personality. The non-diegetic music stops and this allows the audience to focus on what is happening and being said within the scene, this conveys the idea that something important is taking place. The diegetic sounds within the scene are very subtle and this is because the audience are meant to be focusing on what is being said rather than on the sounds.

However, when Leon bangs the glass of milk on the table the sound is amplified. This is significant as the colour of milk is white and so this could signify purity. This would contrast with the shadows in the frame and also his dark black clothing. As the sound of the glass hitting the table is amplified, this suggests quite angry or aggressive behaviour and this also creates a contrast between that and the purity f the milk. A binary opposition is created as purity contrasts the bad task that is going to be carried out. The image that we are shown is in black and white and so this is important as black implies death and suggests that the character is going to be killed by Leon as he is wearing black clothing and this matches the scene.

An extreme close up has been used on the character’s face and also the rule of thirds has been applied to suggest a sense of mystery as the audience are only able to see one of the character’s eyes. A close up shot on the character’s mouth was used as the character says “Let’s talk business. By doing this it engages the audience and also employs that this a significant point within the play. It also makes the audience feel as if they are being let in on a secret.

This has influenced our title sequence as we discussed stopping the non-diegetic music and just having silence to show significant points within the title sequence and to also increase the tension and suspense. After watching this title sequence we thought that amplifying sounds was a good idea as it builds tension because the audience try to match their breathing with the breathing of the character.

Thursday, 26 January 2012

GENERIC RESEARCH ON THRILLERS


Within thriller movies, a range of different shots and camera angles have been used. For example close up shots are used to build tension suspense and also mystery. Long shots are also used in order to set the scene. They are also so used in order to give a sense of isolation; this is done by having a character on their own in a mysterious location, this creates mystery and tension for the audience as they expect that something is going to happen.

Point of view shots are used in order to show the scene and the setting. This builds tension as the audience doesn’t see the character’s facial expression and so they have no idea about what is happening. By using a dark location the audience aren’t able to make out some of the objects within the shot and so this would create tension and suspense. By also using artificial lighting, objects become distorted and so this would make the scene unnerving for the audience. Using point of view shot allows us to step into a character’s shoes and see what is happening from their perspective. By doing this we also pick up on their nerves, which makes the audience tense and so this causes suspense and tension to be built up.

The location and setting used within a thriller either reflects or contrasts the character’s feelings or personality. For example an isolated setting or location may suggest that the main protagonist or antagonist is also isolated and cut-off from the rest of the other characters. The location also gives the audience an insight into what genre the film is and what the film is about as wells as giving them a suggestion about what the characters in the film are like. At the beginning of a thriller, on some occasions the location contrasts the genre of the film. For example a quiet village or even a tranquil, isolated house in the countryside. This creates an enigma code as it makes the audience question what is going to happen to disrupt the equilibrium in the location.

Lighting within a thriller is significant. Artificial lighting is typical of thrillers as it creates lots of shadows. This distorts the image and so this creates mystery and suspense as the audience are not able to make out what certain objects or who the characters are. Back lighting also creates mystery as the audience don’t know who the character is and so this creates an enigma as it makes the audience question who the character is.

In most horror and thrillers, the scenes are set at night time and so the use of lots of artificial light would not be appropriate as the scene would not look realistic. It would create too many shadows and this would distort the objects in the shot. The night time effect creates lots of shadows and so this may create a sense of mystery and suspense.

The non-diegetic music within thrillers is usually orchestral. This type of music is typical of a thriller as it gives the scene a sinister and menacing feel to it. The soundtrack may even be played in the minor key and so this would alter the mood of the scene. The minor key may also give the audience an insight on the character and their personality. However, within some scenes of a thriller no music at all is used and so this creates a more sinister effect as the audience are trying to listen out for both diegetic and non-diegetic noises that will help them to understand what is happening and what is going to happen. At this point diegetic sound such as a character’s breathing or a creaking door is used to build tension. By hearing a character’s breathing, the audience then begin to try and match their breathing to the characters and so this would create tension as the audience would feel a sense of panic and so tension would have been created. The sound of the character’s breathing can be amplified and so this would also help the audience match their breathing with the character’s breathing. The audience rely on the diegetic sounds in a film as this gives them an understanding of what is happening especially if the set is not well lit and so this turns the audiences focus to the diegetic or non-diegetic sound, which is creating the suspense.

Long duration of frames are used in order to build tension as the audience can see what is happening during the scene and we can also see the character’s reaction and facial expressions which add to the suspense. A long duration of frames also signifies that there is not much action happening at that specific point in the scene or it is now leading to the action.

Todorov’s narrative theory is also used within thrillers as this is often the concept of the storyline. There is a state of equilibrium which is then disrupted. The characters realise that this disruption has taken place and so they attempt to repair the damage the disruption has caused. The characters succeed in repairing the damage and so equilibrium is restored. The disruption within a thriller is typically a killer or some kind of monster which kills a majority of the characters before reaching a conclusion. By using some form of a creature this could act on an audiences fear, this would not be as realistic. However, they would be able to relate to the storyline as it presents verisimilitude and so these elements would make the film more believable. By using a human as the killer, this makes it more unnerving as it is more realistic and believable and so this would create more suspense as there is a psychological element to it and so the audience often don’t know what will happen next, causing suspense and tension within the film.

Peaks and valleys is used as this makes the audience question whether the villain will catch the main character. The audience want the main character to live as they have created a relationship between themselves and that character and so this builds lots of tension and suspense as they are unsure whether the character will get away and stay alive until the end of the film.

These are all conventions of a thriller as they are important to creating suspense and tension which is the main concept within the genre.

Wednesday, 25 January 2012

INITIAL IDEAS

For our initial ideas we took into consideration the codes and conventions of a thriller as well as ideas used in title sequences we have analysed. Camera angles and shots are important especially a close up shot as this allows the audience to see the character’s facial expression. This indicates that something is happening within the scene. For example a close up can be used to show fear and by doing this it would create suspense and make the scene unnerving. Bird’s eye view and also high angles make a character look small and insignificant. This can be especially effective in a scene where the central protagonist is faced with the antagonist and the villain is in control of the situation as this makes them appear less dominant. Whereas, as a worm’s eye view or a low angle can be used to make the villain appear more menacing and dominant.

Hand held shots can be effective as the shake of the camera is parallel to the scene because the scene is tense and so this creates tension and makes it more disturbing. Long shots can make a character look small and insignificant. It could also suggest that the character feels isolated. This can help to build tension as the character is alone or isolated and that something might happen to them. Point of view shots allows the audience to see through the characters eyes and so you can see other characters’ identities. Also if the scene is shot with not much light then this may suggest the character has a vision impairment and so this may build tension as a person’s identity may become concealed. A Dutch angle is a convention of a thriller as it disorientates the audience because the shot is not filmed straight on but on an angle. Dutch angles can suggest that the character’s vision is impaired and so this shot creates tension in the scene. Over the shoulder shots help to create a mystery as the character in the foreground may not realise that another character is behind them. It also creates an enigma code for the audience as they do not know what the other character’s intentions are.

Low key lighting is a convention of the thriller genre because it is used to distort the facial features. This creates mystery as the shadows conceal the character’s identity and creates an enigma code as this leaves the audience wondering the identity of the person. Chiaroscuro is also a convention of a thriller as it creates lots of distinct shadows which contrast with the highlights made by the harsh artificial light. This distorts the facial features and so this creates tension and an enigma code as this makes the audience question the identity of the character. Natural lighting can suggest a less dramatic scene and is typical of the romantic genre. However, using natural lighting can create a sense of eeriness as the scene could occur in broad daylight and so this would be socking for the audience as they would not expect this of a thriller and so this subverts the conventions of a thriller. Another convention of the thriller genre is back lighting. Back lighting is used to create silhouettes and this is important within a thriller as it forms an enigma code for the audience because the identity of the silhouette is a mystery.

Sound plays an important part within all genre of film, especially thrillers. However, the lack of non-diegetic music can add to the scene because it makes you focus on the scene as it makes it more menacing, also it can often be used to signify a significant point within the narrative. The music used within a film can be either parallel or contrapuntal. Parallel music goes with the scene and so this complements the scene and can add to the atmosphere. On the other hand, contrapuntal music doesn’t go with the scene and so this would make it more unnerving for the audience as it creates a bad feeling and so it builds tension and suspense. Sound bridges are important as they are used to link two frames or scenes together. This can be effective as it maintains the sinister feeling as well as the flow of suspense. The non-diegetic sound of a heart beat is often used as the audience’s heart beat will match that of the sound of the heartbeat heard as the non-diegetic sound and so a fast sound of a heartbeat will increase the tension as the audience’s heartbeat will increase. This sound technique is commonly used as it is an effective way of creating tension and suspense within the scene.

Font is also important within the thriller genre as it adds to the mysterious effect. The use of a red coloured font has been over used over the years within thrillers and so the audience may find this not as disturbing. Within modern thrillers a scratched font has been used. This could suggest violent or obsessive behaviour as it appears that the words have been continuously scratched in.

Narrative is a major convention of the thriller genre. Both Vladamir Propp and Tzvetan Todorov created theories of narrative which are significant within the genre. Vladamir’s theory of narrative is that it includes the characters that make up the narrative, which are the:
•    Hero
•    Villain
•    Donor
•    Helper
•    Princess
•    Dispatcher
•    False hero

Todorov’s theory of narrative looks at the different aspects of the plot side of the narrative. The different stages of Todorov's theory are:
•   A state of equilibrium
•    Disruption of equilibrium by some action
•    Recognition that there has been a disruption of equilibrium
•    Attempts to repair the disruption to equilibrium
•    Reinstatement of equilibrium

These theories of narrative are important to films, especially the thriller genre as these different characters and stages of the theories contribute to making up the narrative. Characters such as the villain disrupt the state of equilibrium and so this can lead to the build-up of tension.

Connotations are a significant convention of the thriller genre as they can suggest enigma codes within the scenes. After discussing ideas for our title sequence I have come up with some connotations that may link with these ideas. The colour white could suggest purity or innocence. It can also signify clinical behaviour, which is typical of a villain within the thriller genre as well as the sense of being angelic or simple. I could even suggest the idea of being the same as everyone or everything and having no sense of identity. Black is often associated with death, evil, impurity, contamination mystery and menacing behaviour. All of these connotations could be applied to the colour black within a thriller as they are add to the narrative or they create enigma codes within the film. Red is also an important colour within thrillers as it can signify death, blood, lust, love and passion. After thinking about ideas for our title sequence we decided that we really liked the idea of using a child as the central protagonist. The typical connotations of a child are youth, playfulness, innocence and purity. By considering these connotations we decide that we really liked this idea as having a child that represents innocence could contrast or juxtapose other things or people that may be included within the frame.

Editing is important within the thriller genre as it is used to create and intensify suspense and tension. Long shot duration make the scene more eerie as the frame doesn’t change for a long period of time. This builds tension as the audience is waiting something to happen and so this creates suspense. However, short shot durations create tension as the frames appear quickly and at a face pace and so this would make the audience’s heart beat faster, resulting in the build-up in tension. By doing this it also focuses the as they are trying to keep up with the short duration of frames.

Enigma codes are an essential convention of a thriller as they keep the audience guessing as they create mystery within the scene. Enigma codes also makes the audience ask questions. This is vital within a thriller as the main aim is to create and maintain suspense and tension. Peaks and valleys help to build tension as it makes the audience wonder what will happen and if the protagonist is going to be safe. By showing a frame of the hero and then cutting to the villain and then back to the hero, this keeps the keeps the audience on edge as there are lots of ways that the protagonist could fall and this increases the tension as you want them to survive.

Amplifying diegetic sounds is often used in order to create tension because it helps to build tension. The sound of breathing is commonly used within thrillers as the audience matches their breathing with the sound of the character’s breath. It also suggests their fear because if they felt scared then their breathing would get faster and so would the audience’s, resulting in the increase of tension within the scene. Using a black and white effect can have two different purposes. It can be used to signify something that has happened in the past or it could be used to highlight the use of chiaroscuro by showing the light and dark areas.

Jump cuts are used within thrillers as it makes the audience focus on another frame or scene in a short space of time and so this would add tension as the editing is quite fast paced especially if there are lots of jump cuts and short duration of shots in a small space of time. It can also make what is on screen quite jerky as the shot cuts have been put together. Fading the scene in and out can add to the suspense as the scene is being slowly revealed. By using a slow paced scene and long shot durations this can be especially effective as it gives a sense of mystery as the scene or frame is being introduced to the audience slowly.

Slow motion or even slowing down the speed of the frame can build tension and suspense because you are able to see the character’s facial expression and you can pay lots of attention to what is happening within the scene. By slowing a frame down this can build suspense as you want to know what is going to happen and so this makes the audience question what is going to happen.

Mise en scene can make a scene or frame more disturbing. For example, clothing and make up can signify what time or era the film was based in. By using modern clothing in a contemporary film can unnerve the audience as it would appear to be an everyday situation that could occur at any point. A convention of a thriller is that the film uses a familiar setting or location. This links with the idea of the clothing, that the audience may find it more disturbing that these situations could occur in everyday life. Thrillers often use an isolated location as this can sometimes be parallel to the character and their feelings. A character may feel isolated, lonely or abandoned and so this makes the character three-dimensional as they have a psychological depth. The use of an isolated location can be appear quite eerie as there is no one around them and this could be quite daunting or menacing.