After watching and analysing the title sequence for ‘Saving Private Ryan’ I found that lighting could create different moods and can be effective when used to contrast or match the scene. The use of natural lighting is not commonly used in thrillers, especially in a scene where tension is being built up. While planning, we discussed filming our title sequence early in the morning as it would be quite misty. However, we thought that filming during the day would be just as effective as there would be lots of shadows from the trees. The use of a slow pace of edit also makes the scene quite eerie and so we wanted to incorporate this idea into our title sequence and so we thought of using long shot durations to do this.
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